Hurricane Season
Fernanda Melchor
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From the publisher
Hurricane Season appears here as a limited edition casebound hard- back as part of Fitzcarraldo Editions’ First Decade Collection, featuring marbled endpapers and signed and numbered bookplates.
Translated by Sophie Hughes
The First Decade Collection is a hardback limited edition series featuring ten important books from Fitzcarraldo Editions’ first decade of publishing. Designed by art director Ray O’Meara, each book is casebound in fine linen cloth with custom marbled endpapers and signed and numbered book plates, with a run of 1000 copies each.
The Witch is dead. After a group of children playing near the irrigation canals discover her decomposing corpse, the village of La Matosa is rife with rumours about how and why this murder occurred. As the novel unfolds in a dazzling linguistic torrent, Fernanda Melchor paints a moving portrait of lives governed by poverty and violence, machismo and misogyny, superstition and prejudice. Written with an infernal lyricism that is as affecting as it is enthralling, Hurricane Season, Melchor's first novel to appear in English, is a formidable portrait of Mexico and its demons, brilliantly translated by Sophie Hughes.
'Brutal, relentless, beautiful, fugal, Hurricane Season explores the violent mythologies of one Mexican village and reveals how they touch the global circuitry of capitalist greed. This is an inquiry into the sexual terrorism and terror of broken men. This is a work of both mystery and critique. Most recent fiction seems anaemic by comparison.' - Ben Lerner, author of The Topeka School.
‘Fernanda Melchor has a powerful voice, and by powerful I mean unsparing, devastating, the voice of someone who writes with rage, and has the skill to pull it off.’ - Samanta Schweblin, author of Fever Dream.
‘A brutal portrait of small-town claustrophobia, in which machismo is a prison and corruption isn’t just institutional but domestic, with families broken by incest and violence. Melchor’s long, snaking sentences make the book almost literally unputdownable, shifting our grasp of key events by continually creeping up on them from new angles. A formidable debut.’ - Anthony Cummins, Observer.